supported by 4 fans who also own “WE ARE HERE FOR YOU”
Mohammad disliked stringed instruments, preferring the 'purer' sounds of flute and drum. He didn't explain, but a possible reason is that strings are richer in harmonics and can be used to create chords or partial chords. These create beats and resonances from which melodies can be picked out, giving the illusion of a phantom musician creating independently of the human operator. VCO exploit this property of polyphony, giving the phantom centre stage and a job playing saxophone. martin corey
supported by 4 fans who also own “WE ARE HERE FOR YOU”
I dont know why as ive loved both bands for many moons but now that I made the connection between FSA and The Dead C its seems so incredibley obvious . Throw Jim O' Rourke into the mix and this ep is truely essential tri_repetae
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop. Bandcamp New & Notable May 2, 2024
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024