supported by 10 fans who also own “SPLIT CANE ENABLED”
Funny af ended up on a tape w guttersnipe age 18, peaked too soon. Huge shout out to John Clyde Evans/Tirath Singh Nirmala, whatever u wanna call them... a tour de force of Yorkshire experimental, n a figure to whom I can’t be thankful enough in allowing both myself n others the opportunity to explore possibilities of music as noise, n vice versa. Never can’t hear in this flattened way now, all sound in essence containing yet unrealised musicality. Og shit. If u c them @ trades, buy them a d jp
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop. Bandcamp New & Notable May 2, 2024
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024
supported by 9 fans who also own “SPLIT CANE ENABLED”
Mohammad disliked stringed instruments, preferring the 'purer' sounds of flute and drum. He didn't explain, but a possible reason is that strings are richer in harmonics and can be used to create chords or partial chords. These create beats and resonances from which melodies can be picked out, giving the illusion of a phantom musician creating independently of the human operator. VCO exploit this property of polyphony, giving the phantom centre stage and a job playing saxophone. martin corey